Some Guys Just Don’t Know When to Quit

…or maybe they can’t.

Some guys just don’t know when to quit – or can’t quit – making sake.

Mr. Naohiko Noguchi is one of the most decorated, respected, accomplished and famous toji (master brewers) in the history of the sake brewing industry. And at 84 years of age, he is coming out of retirement for the fourth time to brew sake at a new brewery starting up next month. At 84. That’s eighty-four. As in LXXXIV. As in “hachijuyon.” One would think enough is enough; not for some folks.

He does have people running the financial and business side of things. According to some sources, the details are a bit murky in a way that is beyond the scope of this newsletter. But the point is that he has most things taken care of, all he has to do is concentrate on brewing sake. And that is certainly plenty.

But this all begs the question, why? Quite simply, he loves the work. He cannot imagine himself not doing it. It is such a part of his being that if he is not brewing sake, he gets sick. Literally.

A bit more about this illustrious toji: He started brewing at age 16, and worked his way up the ranks for a few years at a handful of kura. He joined Kikuhime in Ishikawa Prefecture in 1961 and brewed sake there for 36 years. He retired from that company, and came out of retirement down the street (figuratively) a few days later at the brewery making Jokigen, also in Ishikawa. After a decade and a half there, he retired again, and this time he probably meant it. But he resurfaced after taking one season off, to make sake at the eponymous Noguchi Shuzo. One year there, two more off, and he is back at it again.

He is famously known as one of the four “Noto Toji no Shiten-o,” or “Four Guardians of Heaven of the Noto Toji Guild,” along with three others. Across his tenure at the first two kura, he won 27 gold medals at the annual National New Sake Tasting Competition, and was designated as a “contemporary master craftsman” by the Japanese government. I had the pleasure of meeting him once, and verified he was sharp as a tack, and not nearly as scary as I had expected. You can read about that here.

He was not likely the easiest guy to work for. Not that I would know. But one does not get that good at a craft like sake brewing by being laid back and lackadaisical. He was surely particular about his ways. An attitude of, “Ah, that’s likely good enough…” is neither part nor parcel of sake brewing at that level.

In fact, a friend of mine actually worked under him for twelve years at Kikuhime. But it was another ten years after the time that Noguchi-san retired (uh, the first time) that he could actually speak directly to him. Even while toiling under his direction, their difference in hierarchical rank was so great that all communication had to go through someone else. Wow. (Nowadays, they actually hang out from time to time.)

Back to the question of why: he has gone on record saying that he wants to spend the rest of his life doing what he loves best. Furthermore, he is convinced it is actually better for his health – even at age 84 – to continue brewing sake.

His body concurs. He has become ill, including a bout with cancer, when not brewing. His family has naturally expressed concern with his plans to keep at it, but he has expressed that “Continuing to brew sake will actually keep me healthy. I will be satisfied if I can die brewing sake,” he said.

Mr. Noguchi’s trademark style of sake is not for the light-hearted. He excels at making yamahai, but not just any yamahai, what I like to call “two-by-four-upside-the-head” yamahai. Very rich, full, with oodles of umami and the acidity to drive it home. It laughs in the face of maturity, and in fact revels in aging. The color is inevitably a gorgeous golden. He cannot even spell “charcoal filtration.” It is, ultimately exquisitely balanced and delicious. But light and fruity it ain’t.

Of course, he may change all that this coming season when he starts again. But at 84, probably not.

Rumor has it that Mr. Noguchi will make a limited amount of sake at his new brewery. It will certainly be hard to score some. But I will certainly at least try, of course.

You can read an interview (in Japanese) of Mr. Noguchi here .

The website (in Japanese) for the new brewing venture is here .

Pilfering Yeast

Yeast StarterBrewer Number One stood up and faced the crowd. And he talked about his sake. Its lively yet balanced nature is the result of a family of yeasts, one of which was discovered at his brewery several decades ago, he explains. It has contributed to – if not created – the high reputation enjoyed by all of the sake in that region, which only came into sake prominence about 30 years ago.

Brewer Number Two spoke next. While several years younger than Number One, they are friends (or were, anyway) and both went to Tokyo Agricultural University, the “UC Davis of the sake world.” With his typically dry sense of humor, he jokingly (or so we thought) explained how Number One’s father actually stole that yeast from his brewery to get it all started.

Several days later, Brewer Number One send Brewer Number Two an email that basically e-tore him a new e-asshole. “You should not be saying groundless and untrue things like that; you will confuse and mislead people.”

While it was an email between the two of them, I know Number Two well enough that later, he told me about it, and even showed me the e-tearing email. “I actually thought it was a true story, but it seems I was confusing my anecdotes. I have cleared that up now, but not before Number One laid into me about it.”

What is this all about, this stealing of yeast? How does one steal a naturally occurring micro-organism, and why would one if it is just floating around in the air? I mean, you can’t just stuff it in your pocket and walk out the door, can you? And is it illegal?

Yeast CellsYeast is massively important to the making of great sake. While they contribute to aromas more than anything else, good yeasts will also ferment strongly and not peter out too early, tolerate high levels of alcohol, yield appropriate levels of acidity that are not too high nor low, and much more.

While long ago all yeast was naturally occurring, dropping in from the ambient environment, these days brewers get yeast from a few supply chains. These often include local research centers as well. Sometimes, as in the case of Brewer Number One, these yeasts never officially leave the prefecture. And there are those brewers that still use proprietary yeasts, stuff they found in their brewery that does not get released, which is how it all used to be.

And so, if you could get your grubby little paws on the yeast from a great brewery, you could often use it yourself, transposing its main characteristics onto those of your own brewery and sake. And doing so surely would not be illegal, provided that something like “breaking and entering” was not involved.

Nothing like this takes place these days, of course. With so many great yeast strains so easily available, there is no reason to do so. But in the not too distant past, it did happen from time to time.

How does one steal micro-organisms that one cannot see?

Oh, let’s say you visit a brewery whose sake you respect. You just want to pass through, see their setup, ask a question or two and see if you can learn a thing or two from the venerable toji. And as you look down into a tank of fermenting mash and its rising swaths of foam, you smell the aromatic goodness and note how vigorously it is fermenting. Just before you move on to the next tank you let your hand nonchalantly drop down near the surface and scoop up a fingerful of foam. And as you turn to walk away, you casually wipe that off on the underside of the brim of your baseball cap. You just stole their yeast.

When you get back to your own kura, you wash off that area of your cap or sleeve and do what you need to do to revive and let multiply the yeast you know is in that slightly grimy discoloration on your cap. If you do it properly, you will be able to propagate that and eventually use it in your own sake.

While surely not simple, it is far from impossible, and happened often enough that many kura were loathe to let brewing personnel from other companies visit them. Or so I have heard.

Foam on the top of a fermenting mashAgain, this really does not happen anymore; nor was it ever a huge industry problem. But I have heard about it from several brewers, elevating it above simple legend. Also, just getting a good yeast is not the end of the challenge. A brewer with any new yeast needs to learn its idiosyncrasies during preparation, throughout fermentation, and beyond.

Furthermore, they would not be able to talk about it, and brag how it was painstakingly isolated over several years from amongst ten thousand others by the prefectural research center, or any other such romantic story. Nope.

Nor would it have roots or traceability. All they could really do is call it, “proprietary.” So there are no huge advantage to doing this, nor any real need anymore. It’s a bit like stealing sand from the beach.

But back to our true story, enter Brewer Number Three, nicknamed Mr. Unabashedly Unscrupulous. Apparently, he did in fact visit Brewer Number Two years ago and did in fact steal their yeast. However, he was not able to successfully reconstitute it, and as such it was all for naught. In time, he ‘fessed up about it; no harm done. But wow. Such audacity.

And, when Brewery Number Two chided Brewer Number One about his father’s supposed heist, it seems he was crossing his wires.

“Yeah, I mixed up my yeast-thievery stories and characters,” he admitted to me later. “I suppose I should check my facts before saying things like that in public…” he conciliatorily conceded.

Again, to be clear: this is not something that happens anymore, and is certainly not a problem in the industry. It is nothing more than a fun little anecdote that goes far to convey the important role that yeast plays in making great sake.

The only thing that we need to remember is that the gift of aromas you enjoy in your sake tonight are driven by the choice of yeast.

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SPC DenverInterested in learning more about sake? There are just about seven seats remaining open for Sake Professional Course in Denver, August 28 to 30. Learn more here .

Ten Reasons to be in Denver

The next Sake Professional Course will take place in Denver, August 28, 29 and 30, 2017. Here are ten reasons you really want to be in one of the ten remaining seats.

10. No sake stone remains left unturned. Every single aspect of the sake world is covered in excruciating detail.

9. Certification: you can become a Certified Sake Professional as recognized by the Sake Education Council.

8. Just one more reason to spend three days in Denver in early autumn!

7. You have been working hard, and deserve a break that is only three days, fun and educational, and that will serve you for a lifetime. 

6. The 1500 or so folks that have already taken the course across the past 11 years have good things to say about it.

5. It is organized, flows logically, and manages to get a massive amount of sake information internalized in three short days.

4. You’ll learn about koji, toji, yamahai, kimoto and muroku nama genshu – and taste them all! (Well, not the toji…)

3. You will become eligible for the Level II Course, with Advanced Sake Professional certification testing, held in Japan in February of each year, from which only about 220 people have graduated.

2. This course opens the door to a lifelong romance with what is easily the world’s most interesting and steeped-in-culture drink.

1. You will taste upwards of 90 (count ‘em!) sake across three days. Nowhere else can you get exposed to so many in a focused environment.

 

Learn more about the course here

Read testimonials from those that have taken in in the past here

To sign up, or if you have any questions, please send an email to sakeguy@gol.com .