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Sake flavor profiles

The Various Grades of Sake

Here are the main sake types and their flavor profiles, plus several common sake terms that will help you to understand what kind of sake you are tasting or buying, and help you determine your own likes and dislikes.

There are four basic types of sake, and each requires a different brewing method. Naturally, there are other special brewing techniques that are less common, but the four basic sake types are:

  1. Junmai-shu (rice only; no adding of distilled alcohol)
  2. Honjozo-shu (a tad of distilled alcohol is added)
  3. Ginjo-shu (highly milled rice, with or without alcohol added)
  4. Daiginjo-shu (even more highly milled rice, with/without added alcohol)
  5. Nama-zake (refers to sake that is NOT pasteurized) and basically is mutually independent of the above four (Read in great depth about nama-zake here.)

These four combine to form what is known as Special Designation Sake, or “Tokutei Meishoshu.” Each of these has a general flavor profile based on the brewing methods employed. However, there is a whole lot of overlap between them. Very very often one cannot tell which type one is drinking,for some of these sake taste above their class (or just different) and others don’t live up to the billing (or are just different). So many things come into play — rice, water, skill of brewers — that it is next to impossible to isolate how a sake will taste based on which “type” it is, nor to fault it when it doesn’t fit the mold. Nonetheless, generalities can be useful. So enough with the disclaimers and let’s move on to our definitions:

Text Definitions

Junmai-shu: This can be translated as pure rice sake. Nothing is used in its production except rice, water, and koji, the magical mold that converts the starch in the rice into fermentable and non-fermentable sugars. Junmai-shu is made with rice that has been polished (milled) so that at least 30% of the outer portion of each rice grain has been ground away. The taste of junmai-shu is usually a bit heavier and fuller than other types, and the acidity is often a touch higher as well. Click here for flavor profile and further details on junmai.

Honjozo-shu: Honjozo is sake to which a very small amount of distilled ethyl alcohol (called brewers alcohol) has been added to the fermenting sake at the final stages of production. (Water is added later, so that the overall alcohol content does not change.) Honjozo, like Junmai-shu, is made with rice that has been polished (milled) so that at least 30% of the outer portion of each rice grain has been ground away. This, plus the addition of distilled alcohol, makes the sake lighter, sometimes a bit drier, and in the opinion of many, easier to drink. It also makes the fragrance of the sake more prominent. Honjozo often makes a good candidate for warm sake. Note that most run-of-the-mill cheap sake has an excessive amount of brewers alcohol added to it, which is not good. Honjozo has only a very small amount of added alcohol. Click here for flavor profile and further details on honjozo.

Ginjo-shu: This is sake made with rice that has been polished (milled) so that no more than 60% of its original size remains. In other words, at least the outer 40% has been ground away. This removes things like fats and proteins and other things that impede fermentation and cause off-flavors. But that is only the beginning: ginjo-shu is made in a very labor intensive way, fermented at colder temperatures for a longer period of time. The flavor is more complex and delicate, and both the flavor and the fragrance are often (but not always) fruity and flowery. Click here for flavor profile and further details on ginjo-shu.

Daiginjo-shu: Daiginjo-shu is ginjo-shu made with rice polished even more, so that no more than 50% of the original size of the grain remains. Some daiginjo is made with rice polished to as far as 35%, so that 65% is ground away before brewing. Daiginjo is made in even more painstaking ways, with even more labor intensive steps. Click here for flavor profile and further details on daiginjo-shu.

Junmai Ginjo and Junmai Daiginjo: Some ginjo-shu and daiginjo-shu are also junmai-shu. So a junmai ginjo-shu is a ginjo-shu with no added ethyl alcohol. If a ginjo or daiginjo is not labeled junmai, then the added alcohol is limited to the same small amounts as honjozo.

Namazake: Namazake is sake that has not been pasteurized. It should be stored cold, or the flavor and clarity could suffer. Namazake has a fresh, lively touch to the flavor. All types of sake (junmaishu, honjozo, ginjo-shu, and daiginjo-shu) can be namazake, or not. For more detailed information on nama-zake, go here.

Flavor Profiles

Honjozo-shu taste profile

Honjozo is sake wherein a small amount of distilled pure alcohol is added to smoothen and lighten the flavor, and to make the sake a bit more fragrant. Honjozo-shu, like Junmai-shu, must be made with rice with a Seimai Buai (degree of milling) of at least 70%. This is the number you will see on the label (if it is given at all), but what it means is that the rice has been polished so that no more than 70% of the original size of the grains remains. In other words, at least 30% of the outer portion of each rice grain has been ground away. Honjozo sake is often a bit lighter than other sake, due to the small amount of grain alcohol added at the end of the ferment. Remember that this is not a bad thing, in moderation, and brewers have been doing it for hundreds of years. It is NOT simply a cost cutting measure when used within the limits prescribed by honjozo. The flavor is lighter, and magically the fragrance becomes much more prominent. Below is a typical honjozo sake.

John’s Flavor Profile – Honjozo-shu

Fragrance none ——————–X—— fragrant
Impact quiet —–X——————— explosive
Sweet/Dry sweet —–X——————— dry
Acidity soft —-X———————- puckering
Presence unassuming —-X———————- full
Complexity straightforward ———————X—– complex
Earthiness delicate ———————-X—- dank
Tail brief ———————-X—- pervasive

Honjozo-shu in details

For centuries, adding distilled pure alcohol to sake just as it completes its fermentation has been a part of the brewers’ art. Often, it is used to “cut” the sake and get more yield out of a single batch. However, when a sake is labeled “honjozo,” it means that the amount of sake is very limited, like to 120 liters per metric ton of rice used. The term honjozo indirectly means “the original brewing method,” and indicates that this is the proper way to use such added alcohol, as opposed to tossing in copious amounts, dropping the price, dulling the flavor, and lowering the hangover threshold.

This will not increase the yield much if at all. But honjozo sake is often a bit drier, lower in acidity, less cloying and fragrant than pure sake (see junmaishu). Note that premium “ginjo” sake in Japan is automatically limited to this small amount of added alcohol. In other words, you can have junmai ginjo and honjozo ginjo, but the latter is not referred to as honjo ginjo, only ginjo. That alone distinguishes if from junmai ginjo. Ginjo means sake brewed with rice milled so that no more than 60% of the grain remains. Confused?

At present, any sake that is not junmai (i.e., any sake with any added distilled alcohol at all) is taxed by the US at distilled beverage rates, making it unfeasible to import and distribute it. This will hopefully change in the not-too-distant future, allowing more premium sake into the US.

Junmai-shu taste profile

Junmaishu refers to pure sake, pure in the sense that no adjuncts (starches or sugars other than rice added to the fermenting mixture) were used, and that no brewer’s alcohol was added either. Junmai-shu, like Honzojo-shu, must be made with rice with a Seimai Buai (degree of milling) of at least 70%. This is the number you will see on the label (if it is given at all), but what it means is that the rice has been polished so that no more than 70% of the original size of the grains remains. In other words, at least 30% of the outer portion of each rice grain has been ground away. Junmai often has a fuller, richer body and a higher-than-average acidity. The nose is often not as prominent as other types of sake, nor are other parameters dependent on whether a sake is a junmai or not. Here is a typical junmai-shu flavor profile.

John’s Flavor Profile – Junmai-shu

Fragrance none —-X———————- fragrant
Impact quiet ——————X——– explosive
Sweet/Dry sweet ————-X————- dry
Acidity soft ———————-X—- puckering
Presence unassuming ———————-X—- full
Complexity straightforward —-X———————- complex
Earthiness delicate ————-X————- dank
Tail brief ——————X——– pervasive

Junmai-shu in detail

The product is nothing more than a straight fermentation of rice with the help of koji-kin (a starch-dissolving mold). Junmaishu is similar in concept to beer made according to German beer regulations, which allow nothing but malted barley, hops and water to be used. Sake that does not have the word junmaishu on the label will usually have brewer’s alcohol added (not necessarily a bad thing, mind you, if done sparingly), as well as (in lower grade stuff) sugars, artificial flavorings, acid-based additives, and a whole host of other cost-saving, hangover-promoting nastiest. Do keep this in mind though — the idea that real sake drinkers drink only junmaishu is a fallacy. It is not necessarily what everyone prefers, nor does it imply that everything else is rotgut. Not by any stretch. Junmaishu generally is a tad more full and heavy in flavor than other types, and often the acidity is slightly higher as well. It is often a good choice for matching with food, as it makes its presence known a bit more assertively than lighter sake.

Ginjo-shu taste profile

Ginjo sake is much more delicate and light and complex than the above two. Why? The rice has had the outer 40% of the grains polished away, leaving the inner 60% left. This is opposed to leaving 70% for junnmai and honjozo. On top of that, special yeast, lower fermentation temperatures, and labor-intensive techniques make for fragrant, intricate brews. Here is a typical ginjo chart.

John’s Flavor Profile – Ginjo-shu

Fragrance none ———————–X— fragrant
Impact quiet ——-X——————- explosive
Sweet/Dry sweet ——-X——————- dry
Acidity soft ——X——————– puckering
Presence unassuming ——X——————– full
Complexity straightforward ———————–X— complex
Earthiness delicate –X———————— dank
Tail brief ——X——————– pervasive

Daiginjo-shu taste profile

Finally, there is daiginjo. This is fundamentally speaking an extension of daiginjo. The rice has been milled so that no more than 50% of the original size of the grains remains, although this often goes to 35%, and even more care has been taken to create sake representative of the pinnacle of the craft. Although there is a range of styles of daiginjo, and not all look like the chart below, here is a somewhat typical example.

John’s Flavor Profile – Daiginjo-shu

Fragrance none ————————–X fragrant
Impact quiet ———-X—————- explosive
Sweet/Dry sweet ———-X—————- dry
Acidity soft ——–X—————— puckering
Presence unassuming ———————–X— full
Complexity straightforward ————————–X complex
Earthiness delicate ———-X—————- dank
Tail brief -X————————- pervasive

Other Important Sake Terms

Nigori-zake: Sake that is unfiltered.
Seishu Seishu: The legal name for sake, differentiating it from other alcoholic beverages.
Futsuu-shu: Any sake that is not junmai-shu, honjozo, ginjo-shu or daiginjo.
Jizake Jizake: Vague term that usually means sake from smaller breweries out in the boonies; sake that is not mass-produced.

Seimai Buai (or Rice Milling)

Junmai-shu and Honjozo-shu must be made with rice with a Seimai Buai (degree of milling) of at least 70%. This is the number you will see on the label (if it is given at all), but what it means is that the rice has been polished so that no more than 70% of the original size of the grains remains. In other words, at least 30% of the outer portion of each rice grain has been ground away.

Ginjo-shu, whether Junmai Ginjo-sho or non-Junmai Ginjo (usually called aru-ten ginjo, one does not say Honjo Ginjo) must have a Seimai Buai of at least 60%, meaning that the outer 40% or more has been polished away.

Daiginjo and Junmai Daiginjo (same phraseology rules apply here) must be made with rice with a Seimai Buai of 50% or more, meaning at least the outer half has been ground away. Often, Daiginjo goes as far as a 35% Seimai Buai.

What happens to the powder (called nuka) that is ground away? It is often used in Japanese-style cakes, for livestock feed, and can also be fermented and distilled elsewhere in a separate process. Nothing is wasted.

Remember, adding alcohol does not make a sake lower grade; it is part of one manner of brewing that produces specific results (like lighter, more fragrant sake with a more robust structure and perhaps longer shelf life). There are junmai purists, but there are those who feel adding alcohol is the correct way to brew, as is indicated in old brewing texts. Avoid the hype!


SAKE CONFIDENTAL 

Interested in learning more about sake?

Check out my book “Sake Confidential” on Amazon.

Sake Confidential is the perfect FAQ for beginners, experts, and sommeliers.

Indexed for easy reference with suggested brands and label photos. Includes:

  • Sake Secrets: junmai vs. non-junmai, namazake, aging, dry vs. sweet, ginjo, warm vs. chilled, nigori, water, yeast, rice, regionality
  • How the Industry Really Works: pricing, contests, distribution, glassware, milling, food pairing
  • The Brewer’s Art Revealed: koji-making, brewers’ guilds, grading

 


SAKE INDUSTRY NEWS

If you are interested in staying up to date with what is happening within the Sake Industry and also information on more advanced Sake topics then Sake Industry News is just for you!

Sake Industry News is a paid subscription newsletter that is sent on the first and 15th of each month. Get news from the sake industry in Japan – including trends, business news, changes and developments, and technical information on sake types and production methods that are well beyond the basics – sent right to your inbox. Subscribe here today! 

Each issue will consist of four or five short stories culled from public news sources about the sake industry in Japan, as well as one or more slightly longer stories and observations by myself on trends, new developments, or changes within the sake industry in Japan.

 

 

Links

Sake links

eSake.com

www.esake.comJohn Gauntner is a founding member of www.esake.com, an online web service devoted to bringing premium Japanese sake to the USA market and elsewhere. Premium Japanese sake is now being sold in 45 states in the USA.

Sake in Europe

Foodex in France sells great sake online!  Check it out:
www.sakebar.fr/content/12-trouver-sake


Koji Spores for Home Brewing

www.kagi.com/vision/sake
Also, koji spores (as opposed to completed koji) are also available from Vision Brewing in Australia. According to proprietor Brendan Tibbs, the product is available online for
anyone, and is particularly suitable to the home brewer. Contact him at Vision Brewing (see above link).


Sake Breweries in Japan

www.sphere.ad.jp/izmibasi/eng/enghome.html
Sake Home Page of Izumibashi Co. Ltd. Izumibashi is a Sake  brewery in   Japan founded in 1857. Information includes how to drink sake, kinds of sake, and sake brewing methods.

www.pjnet.com/harasho/index1.html
Harasho brewery is located in the City of Nagaoka in Niigata Prefecture. Site includes
general history and information about brewery.

www.sake.com
Sake Home Page featuring Tamanohikari Sake.


 Sake Breweries in the USA

www.hakusan.com
Hakusan Sake Brewery located in Napa Valley California.

www.sakeone.com
SakeOne has premium sake breweries in Momoishi (located in Aomori  prefecture in
northern Japan) and Forest Grove, Oregon. This site offers online USA sales of premium sake.


 Other Food and Sake-Related Sites

(Food, Culture, Business, Societies, even some Wine)

www.chadoteahouse.com
Chado Tea House – premium grade Japanese green
teas online

Steamykitchen.com. Modern Asian cooking and delicious recipes by food writer and
television chef, Jaden Hair. Her site has a special section devoted entirely to Japanese sake and food.

www.sakediscoveries.com/
SakeDiscoveries.com. By Chizuko Niikawa-Helton. A wealth of information
on Japanese sake, sake events, and restaurants serving sake. Chizuko originally hails
from Aikita Prefecture. She is involved with promoting sake around the world and
runs her own sake consulting business.

www.saijosake.com
Learn all about the sake of Saijo in Hiroshima Prefecture, one of the most important brewing regions in the country.

www.taylor-madeak.org.

Brew it at home! Or at least give it a shot. This site, and this guy, Bob Taylor, show you how with recipes and instructions. Great site!

www.e-yakimono.net
e-Yakimono.netOne-of-a-kind web resource covering Japanese ceramic scene
, including guinomi and tokkuri sake vessels. Run by pottery expert Robert Yellin, this site boasts hundreds of articles, thousands of photos, and anonline eStore for purchasing fine
Japanese ceramics.

http://www.ozaru.freeserve.co.uk/weizen/weizenweb.htm
All you need to know about weizenbier from beer expert, linguist, martial artist and all-around fascinating guy Ben Jones.

www.bishu-honpo.com
Bishu Honpo is a varied and excellent source of information about sake in both Japanese and English, with updates daily. Very much worth checking out.

www.japanese-gourmet.com
This new site is a great reference resource to people interested  in Japanese foods,
beverages and related products. It also provides listings of  Japanese restaurants in various states.

www.bento.com/tokyofood.html
This site is packed with information on dining in Tokyo and other excellent links to Japanese food and drink resources on the web.

www.sushiran.com
This website features information on the Bay Area’s Sushi Ran restaurant. The restaurant serves a wide variety of chilled premium sake.

www.freshwasabi.com
Wasabi Pacific is the largest grower of fresh wasabi in North America. Fresh wasabi is shipped daily direct from the growers  in Oregon. Learn about fresh wasabi, order online,
try recipes, and learn the difference  between powdered and tubed wasabi and the real thing.

www.japansociety.org
The Japan Society is New York’s leading cultural and intellectual resource on Japan.

www.media-akita.or.jp/akita-sake/akita-sakeE.html
Information and history of sake brewing in Japan’s Akita Prefecture.

www.geocities.com/shamusan/sake.html
An introduction to sake and how to brew it. Includes a glossary of terms,  short history of sake making, homebrewing information, and some recipes.

brewery.org/brewery/library/sake_MH0796.html
Information on brewing sake at home by Mitsuo Hoshida.

www.suihitsu.co.jp/eng/lecture/sake/sake.html
Sake Dictionary. There are only two ways to discover a truly great sake. One way is to drink every sake you can find. The other is to accumulate  knowledge. Here we present
the  techniques used in the preparation of  sake, the history of sake, terminology such as “sakabayashi” that we’d  like you to know, and some interesting stories about sake in
general.

www.suihitsu.co.jp/eng/brands/brands.html
Top 25 Sake Brands of Isaka Yasuhiro, President of Isaka Shoten.

www.spagnols.com/handouts/sake.htm
How to make sake by Fred Ekhardt.

www.zutto.com
A Japanese restaurant in New York with information on sake and links to other sites.

www.novusvinum.com
Here, wine fanciers can find tasting notes and information about boutique wineries  worldwide.

www.gwjapan.org/sakenet/sakelink.html
Provides a mega-index to English and Japanese sake sites on the web.

www.bairdbeer.comwww.joyofsake.com
Information about sake rice, brewing techniques, food, and  sake in general.

www.bairdbeer.com
Although this site has nothing to do with sake, it is home to Baird Beer, a wonderful maker of speciality beer based in Numazu, Japan. Online eStore sells five regular Baird beers. It doesn’t get
any better than this.

www.futureimplications.com
Japanese translators UK London England

http://www.japaneselifestyle.com.au/
Japanese Lifestyle. Japanese culture  including kimono, fashion, food, restaurants,
recipes, Japan pictures  and travel.

www.asianfoodgrocer.com
AsianFoodGrocer.com is a thorough resource for all kinds of Asian food
products, including candy, tea, noodles, drinks, snacks, and lots more.  We
also have recipe books and a lot of other items in tune with broadening the
reach of the cultural appeal of Asian foods, including – you guessed it – sake
glasses, sake flavored food, and more.

vineconnections.com
Importers of a line of 12 brewers’ super premium sake into the US, and a range of wonderful Argentine wine to boot.

truesake.com
America’s first sake-only store opened in San Francisco in 2003. True Sake carries more than 90 unique sake from various Japanese prefectures. In San Francisco.

www.sakenomi.us
The second sake-only retailer in the US, and you can drink it here too! In Seattle.

Sushi and Japanese Market.com

Online store selling authentic Japanese dinnerware, cookware and gourmet ingredients. Also offers sushi kits and sushi equipment.

SunnyPages.jp

Discover cool and traditional Tokyo spots that you can’t find in travel guidebooks! We are a social networking word-of-mouth review web site aimed at foreign residents and
visitors to Tokyo as well as Japanese who are interested in foreign culture/people.

Fermentation: A Closer Look at How Wine, Beer and Other Alcohols are Made

Allaboutsushiguide.com Everything you need or want to know about sushi, for beginners through experts!.


 

GENERAL INTEREST, JAPAN-RELATED SITES

My web consultant, Mark Schumacher, is involved as web master for various Japan-related sites, which are presented below.

OnmarkProductions is also home to the popular A-to-Z Photo Dictionary of Japanese Buddhist Sculpture, and the creator of Buddhist-Artwork.com,
the latter selling quality hand-carved wooden statues of Buddhist deities.

Visit Buddhist-Artwork.com selling handcarved wood Buddha Statues

Visit the A-to-Z Photo Dictionary of Japanese Buddhist Deities


OTHER GENERAL-INTEREST SITES

Hotels in Japan. Going to Japan to visit sake breweries?
Need a hotel in the Tokyo area?
Try this great site: www.tokyohotelbookings.com

Educational products

Get a free copy of The Sake Dictionary pdf format!

A downloadable pdf version of the Sake Dictionary is available for free with the purchase of any of the products below. To claim your copy, after your purchase send an email to johngauntner@sake-world.com . After verifying your purchase, we will send you a pdf version of The Sake Dictionary. Act now, as the offer is limited.

Products


The Sake Notebook & Sake Slideshow Package

Sake Notebook Sake Slideshow SET

Price: $9.99

Less than two glasses of sake!

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Description

Purchase the Sake Notebook and the Sake Production Slideshow together, and save $5 dollars. Guaranteed to send your sake knowledge and appreciation to new heights.

Product details

  • Sake Notebook, 14-page Adobe PDF File (details below)
  • Sake Slideshow, 15 minutes, 132 photos, Commentary, Music (details below)
  • Instant Download
  • Date Added: June 21, 2011
  • File Formats: Adobe PDF and Power Point
  • File Size: 45 MB
  • Copyright: John Gauntner

The Sake NotebookTokkuri and choko

Price: $5.99

Less than a glass of sake!

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Description

The basics of sake in a 14-page, easily digestible, very practical format that includes a list of 250 recommendable sake, and provides enough education on all things sake to fuel your study, appreciation and enjoyment of sake for years to come.

Product details

  • Instant Download
  • Date Added: June 21, 2011
  • File Format: Adobe PDF
  • File Size: 3.5 MB
  • Copyright: John Gauntner

Sake Production Slideshow – 130+ images with English notesMaking sake

Price: $5.99

Less than a glass of sake!

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Description

A 15-minute, gorgeously presented slideshow of the sake production process, indicating every step from rice production and milling to rice cleaning and steaming to koji propagation to yeast starter to mash to bottling — all done in traditional old breweries in Japan. An indispensable help to those seeking to understand sake production visually. Created by John Gauntner.

Product details

  • Instant Download
  • Date Added: June 21, 2011
  • File Format: Power Point
  • File Size: 41 MB
  • Duration: About 15 minutes
  • Content: 132 photos, music, English subtitles
  • Copyright: John Gauntner

Instructions

Extract all the ZIP files by right-clicking on the file and selecting “Extract all”, then follow the “wizard.”


Other Books on Sake by John Gauntner

Click book image to learn more or to buy from Amazon.

The sake handbook

The sake companion

In association with Amazon

Sake pure simple

 


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Sake FAQ

Q1: What is sake? Is it a beer? Is it a wine? Is it a spirit?

Sake is a beverage fermented from rice, which is a grain. This would make it more of a beer than a wine. Yet, sake is not carbonated, and flavor-wise is closer to wine than beer, although it is indeed uniquely different from wine. Sake is not a distilled beverage, and is not even remotely related to gin, vodka or other spirits.

Q2: What is the alcohol content of sake?

Sake is generally between 15% and 17% alcohol.

Q3: How long does it take to brew sake?

Basically about a month. It can be a bit longer for ginjo-shu, including all the steps. Also, this does not include the ( usually) six-month period sake is “aged” before release.

Q4: Is sake aged like wine ? Is there such a thing as “vintage” sake?

In general, sake is not aged (beyond the six month period mentioned), and is meant to be consumed soon after purchase. If kept cold and dark, it will last six months to a year without degradation in flavor. There are exceptions, as some sake is deliberately aged. There is no such thing as a vintage year in the sake world. Be sure, then, to notice the bottling date on the label. If the sake was brewed in Japan, note that the year 10 (for Heisei 10) is 1998. So a sake with 9.4.23 would have been bottled on April 23, 1997. Avoid! Try to buy a sake bottled within the last year, at least. If you found it refrigerated, take one more sigh of relief. If not, it may not be totally fresh.

Q5: How should sake be stored?

Sake should be stored away from light and kept cool. Refrigeration is best, although not absolutely necessary unless the sake has not been pasteurized.

Q6: Is sake better than other alcoholic beverages for your health?

Beyond the normal pros and cons of alcohol consumption, note that sake is free from sulfites. It is also light and comparatively free of hangover-causing congeners. Premium sake is free from additives and preservatives.

Q7: How many types of sake are there?

From a production point of view, there are five basic types (see Types of Sake for details). Note that there are several other less-common types as well.

Q8: What are some good brands you can recommend?

How much time do you have? The best thing to do is to see John Gauntner’s Top 100 Sake Picks on his Sake World homepage.

Q9: What price range should I expect?

First of all, where are you? Although the sky’s the limit, more expensive (= better = more desirable) is definitely NOT the case. Good sake is not cheap, but it doesn’t need to be excessively priced. If you are in Japan, 2500 to 5000 yen for a 1.8 liter bottle, or 1200 to 2500 for a 720ml bottle, is a good range. In the US, that might come out to $35 to $70 for a 1.8 liter bottle, or $18 to $37. Unfortunately the price about doubles when it gets imported and goes through the system. Naturally, there is some fine US-produced sake for about half the above prices that are great values.

Q10: How can one tell a good sake from a bad sake?

If you do not have a chance to taste it, begin by trying to buy something with the words Junmai-shu, or Honjozo-shu, or Ginjo-shu or Daiginjo-shu on it. If you do have the chance to taste it, look for balance. Nothing should be cloying or pushy in the flavor profile. A sake can be quite dry or quite sweet and still be in balance. If it is lethargic and/or dull, and cloyingly sweet or gratingly harsh, avoid it. (Unless you like it that way!)

Q11: What is the proper color for sake?

Sake is generally almost transparent, which is often due to filtering at the kura (brewery) before shipping. This can be excessive at times, stripping a sake of its character. Often a sake has a light amber or gold color to it. This is often the case in full-flavored sake. This can be quite pleasant and add a new dimension to the sake experience. Beware: if a sake has been left in the light or allowed to age, it will turn a darker color, almost a lusterless brown. Sake that has degraded to this level is best avoided.

Q12: How many sake brands, or labels, are there?

There are about 1800 sake breweries (called kura in Japanese) in Japan, a number which is sharply decreasing each year. So there are 1700 brands, but most kura make several grades or types of sake, which are significantly different. So there are likely as many as 10,000 different sake among these breweries. In the US, there are presently seven breweries, most of which make more than one product.

Q13: How does US-brewed sake stand up to sake from Japan?

The breweries in Japan have a 1000 year head start, not only in terms of brewers and craftsmen, but in terms of special rice that makes great sake. It is understandably a richer and more diverse world, and the sake reflects that. There is good sake and bad sake being brewed in the US — just as there is in Japan. While in general the sake from Japan (assuming it has been cared for properly) is more flavorful, alive and character-laden, there is plenty of very drinkable sake being brewed in the US. Plenty. Also, as the cost of raw materials is significantly less in the US, sake brewed in the US can present quite a value to the consumer.

Q14: What is koji?

Koji is steamed rice onto which koji-kin (which means koji mold) has been cultivated. This mold is known in English as Aspergillus Oryzae. It is used in sake brewing to break down the starch molecules into sugar molecules that can be used as food by the yeast cells. Since rice is milled, there is no husk and therefore no enzymes, so malting (as in beer brewing) is not possible. Koji provides those enzymes to create the sugars for fermentation. This cultivation of koji-kin mold onto steamed rice to create koji itself is the heart of the sake brewing process.

Q15: Where can I get good sake near me?

Stay tuned to the Sake Pubs and Restaurants pages for detailed information on which restaurants near you carry premium sake.

Q16: What is the nihonshu-do, or Sake Meter Value?

This is a measure of the density of the sake relative to water. It is a very general reference to the sweetness or dryness of a sake. Note, however, that acid content and water hardness and temperature and other factors also contribute a great deal to the concept of sweet and dry.

Q17: What is the ideal temperature for serving sake?

In spite of the words of the venerable James Bond, most decent sake tastes best slightly chilled. In short, there is no one ideal serving temperature, but cool to chilled brings our the best in most good sake, with subtle differences presenting themselves at each temperature range. A lot of good sake goes well warmed, but not too hot! Piping hot sake is a carryover from decades ago when sake was not at the level it is now, and heating it was the best way to go. Times have changed, but in Japan as well as in the US, a lot of cheap sake is served very hot.

Q18: Can sake be served with food like wine is?

Absolutely. Naturally, this calls for experimentation, but in general sake is a wonderful accompaniment to fish and other light dishes. Also, premium sake also does well with strong or curiously flavored snacks taken in small morsels.

Q19: Are different kinds of rice used to brew sake, as grapes are for wine?

Yes, indeed. There are about 65 varieties of rice designated as sake rice, and naturally some are more prized than others. Like grapes, different rice strains grow best in particular regions. Some famous examples are Yamada Nishiki, Gohyaku Mangoku and Omachi.

Q20. Warming Sake. If you do not recommend heating Premium Sake, then can you recommend a fine sake that WILL heat well for our customers who wish it warm/hot?

I heartily recommend Kamo no Izumi and Sake Hitosuji, both of which are in the US, for gentle warming. See the archived newsletters for more such recommendations. Also, you are opening a Pandora’s Box here, as there is no simple answer to your question. It is all about personal preference, but more often the sake that is suited to gentle warming is earthier, richer and less fruity. Often the brewer will recommend this on the label, but more often you need to trust your tasting experience and preferences.

Q21. Where can I buy kasu (sake lees), or learn kasu recipes?

Outside Japan, we are unsure where you can buy sake lees, or kasu, but you might try both searching the net for sake “kasu” and shopping at Japanese grocery stores (if there are any near your location).

Q22. Where can I find sake with a snake in the bottle?

That is not sake. It is called “habu-shu” and is not available in the US. I believe customs will not let it in, something to do with a dead snake in the bottom of the bottle. By the way , it is made with Awamori, a strong distilled Okinawan beverage, not sake.

Q23. What should I do with my old sake? Is it drinkable? Does it get better with age?

Try it at least but do not have expectations. Sake does not age well, it was not really meant to be aged.

Q24. Where can I buy a nice tokkuri and guinomi sake set?

Japanese pottery guru Robert Yellin offers numerous articles and photos on tokkuri and guinomi, and his online gallery sells them. Please visit JapanesePottery.com, then use the estore search feature to find sake flasks or cups. Our site, eSake.com, offers a review of the various vessels used for drinking and pouring sake.

Q25. Could you identify this old bottle of sake I found in the basement of my grandfather?

No, unfortunately, I do not do appraisals for free.

Q26. Where can I buy KOJI?

One major producer is Akita Konno Shoten, but they do not have a site, or ship overseas that I know of. Try the below contact: Recently, several brewers are experimenting with koji obtained from SakeOne Corporation in Oregon, with apparently significantly improved results. This koji can be purchased from F.H. Steinbarts for about $8.00 for a 2.5 lb. Batch. For more information call Steinbarts, at 503-232-8793. Also, koji spores (as opposed to completed koji) are also available from Vision Brewing in Australia. According to proprietor Brendan Tibbs, the product is available online for anyone, and is particularly suitable to the home brewer.

Q27. Where Can I Learn More About Home-Brewing Sake?

If you have even a passing interest in brewing sake at home, you must check out The Sake Digest, a mailing list on sake home brewing maintained by Jim Liddil at jliddil@vms.arizona.edu. On this list, issues both stylistic and technical, detailed and general, are discussed by enthusiastic and knowledgeable home brewers. Fred Eckhardt, easily the most experienced sake home-brewer in North America, regularly generously imparts his experience and wisdom to readers. A message is generated perhaps twice a week, so one in not inundated with information and countless emails. It is quite interesting to follow along with the apparently successful efforts of these brewers from a cyber-distance.

Q28. Where Can I Buy Organic Sake?

Not sure where to buy it but about 15 Japanese companies sell organic sake and one is Yuki no Bosha, which a Google search should bring up. It is in Akita Prefecture, Japan. They do export it to the US. Another is Dewatsuru. And recently it is being produced by SakeOne in Oregon, USA.

Q29. If I host a sake tasting party, and I intend to serve various different sake, how can one “clear the palate” between tastes?

First, get buckets to spit into. Most professional tasters do not DRINK the sake; they pour just a little into their tasting cup (any type of guinomi will do), sniff it carefully, then sip it, swirl it around in their mouth, then spit it out into the bucket. Then they write their tasting notes. Second, have plenty of bottled water available. In between tasting different sake, many professional tasters simply drink water to cleanse their palette.

Q30. Vegetarian Sake. As a sake lover and a new vegan, I need to find sakes that do not use any animal product in their brewing and refining. Can you give me any information on how to double check a sake as “vegan-friendly?”

Most sake does not use gelatin finings, although we cannot determine what does and what does not, and there is no way to know from the label. Powdered active charcoal is used for fining of most Japanese sake . This is made from (as far as we know) wood and plants, but we cannot be sure about all stuff at all places. Sake called “muroka” is unfiltered and unfined so that would be a safe bet.

Q31. What is the sugar content of sake, and how many calories are there in a typical serving of sake?

There are between 180 and 240 calories, or 20 to 27 grams of carbohydrates, in 5.5 oz glass of sake. Protein and fat are negligible. During the brewing of sake, the yeast cells eat the natural sugar created by the starches in the rice and give off alcohol and carbon dioxide. The starch-to-sugar conversion, and the fermentation of that sugar, take place simultaneously in the same tank. This makes sake unique; in other beverages the conversion to sugar occurs first, and fermentation later. Also, another important parameter to be aware of is the Nihonshu-do. Also called the Sake Meter Value (abbreviated SMV) in English, this is the specific gravity of a sake. It indicates how much of the sugars created from the starches in the rice were converted to alcohol, and how much remained to contribute to sweetness. By ancient convention, the higher the number, the drier the sake. What is the range? In theory, it is open-ended. In practice, + 10 or so is quite dry, -4 or so is quite sweet, and +3 or so is neutral. Keep in mind this parameter is affected by acidity, temperature, accompanying food, and a host of other factors so that it is limited in its usefulness.

Any other questions? Please contact John.

Types of sake

Here is a visual representation of the grades of sake. The higher levels represent the higher grades of sake; higher quality, higher price, and in general, more elegant, refined, fragrant, light, and enjoyable aromatic and flavor profiles.

Here is another version of the below information, in a bit more details. The pyramid is my pride and joy, and took me years to create. All you need to know about sake is somewhere on this pyramid! Feel free to download this version!

Ranking No added alcohol Some added alcohol
Arrow increase in quality Junmai Daiginjo-shu
Junmaidaiginjo kanji
A subclass of junmai ginjo-shu, brewed with very highly polished rice (to at least 50%** see below) and even more precise and labor intensive methods. The pinnacle of the brewers’ art. Generally light, complex and fragrant.
Daiginjo-shu
Daiginjo kanji
A subclass of ginjo-shu below, brewed with very highly polished rice (to at least 50%** see below) and even more precise and labor intensive methods. The pinnacle of the brewers’ art. Generally light, complex and quite fragrant.
Junmai Ginjo-shu
Junmaiginjo kanji
Brewed with labor-intensive steps, eschewing machinery for traditional tools and methods, using highly polished rice (at least 60%**) and fermented at colder temperatures for longer periods of time. Light, fruity, refined.
Ginjo-shu
Ginjo kanji
Brewed with labor-intensive steps, eschewing machinery for traditional tools and methods, using highly polished rice (at least 60%**) and fermented at colder temperatures for longer periods of time. Light, aromatic, fruity, and refined.
Junmai-shu
Junmaishu kanji
Made with only rice, water and koji mold. The rice used must be polished to at least 70%**. Often a full and solid flavor profile, clean and well structured.Note also Tokubetsu Junmai-shu, or “Special Junmai-shu,” which merely indicates more highly polished rice, or the use of very special sake rice.
Honjozo-shu
Honjozo kanji
Made with rice, water, koji and a very small amount of pure distilled alcohol (“brewers’ alcohol”) to help extract flavor and aroma. Light, mildly fragrant, easy to drink.

Note also Tokubetsu Honjozo-shu or “Special Honjozo-shu,” which merely indicates more highly polished rice, or the use of very special sake rice. Sake in the six classifications above is known collectively as “tokutei meishoshu,” or “special designation sake,”and can for all intents and purposes be considered “premium sake.” It constitutes only about 20% of all sake produced. Sake in the top four boxes is collectively known as “ginjo-shu” and can be considered “super-premium sake.” (Yes, normal ginjo-shu is one subclassificaiton of the overall grouping ginjo-shu. It is only mementarily confusing!) Ginjo-shu and its subclasses constitute only the top 6% of all sake produced, and represents the pinnacle of the brewers’ craft.

Futsuu-shu futsu kanji

Futsuu-shu is “normal sake,” i.e. sake that does not qualify for one of the above three levels of classifications. It is the equivalent of “table wine” in the wine world, and makes up about 80% of all sake that is made. Sake like this is produced with copious amounts of pure distilled alcohol added to increase yields. Although a lot of futsuu-shu is cheap, nasty, and vile, there is plenty of sake in this group is perfectly and enjoyably drinkable. One should avoid collectively dismissing futsuu-shu as rotgut.

While some cheaper sake in this group also has sugars and organic acids added to “improve” the flavor (better futsuu-shu does not), note that no sake at all has any preservatives added to it.

Note: There is much overlap between above classifications

There are very fragrant junmai-shu, mellow and subdued daiginjo, very complex honjozo-shu, and everything in between. The classifications are really of only moderate usefulness because of this. Your palate and preferences are really the only true way to judge quality!

About added alcohol

Cheap sake has copious amounts of distilled alcohol added to it at the final stages to increase yields. In the premium grades of sake, those above futsuu-shu, the three classifications on the left side (junmai-shu, junmai ginjo-shu, junmai daiginjo-shu), i.e. anything with the word “junmai” in it, has been made with rice only; no distilled alcohol has been added at all. This is the original and tradional method of brewing sake.

However, sake on the right side of the chart (honjozo-shu, ginjo-shu, daiginjo-shu), has had a very small amount of alcohol added to it at the final stages of brewing. This is not to increase yields, but rather the use of alcohol in this very controlled manner helps, claim some brewers, to pull out more aromatic and flavorful compounds that are soluble in alcohol from the fermenting mash when the completed sake is pressed away from the unfermented solids. It is a perfectly valid way to make great sake; it is in the end just one more method.

About Rice Polishing

In general, the more the rice used in brewing is milled before being used, the higher the grade of sake. In fact, this is the clearest definition of the ascending grades of sake. In short:

Junmai-shu and Honjozo-shu

These are made with rice that has been “polished” (as the industry puts it), or milled, to remove at least the outer 30% of the original size of the grains. This means that each grain of rice is only 70% or less of its original size.

Junmai Ginjo-shu and Ginjo-shu

These are made with rice that has been “polished” (as the industry puts it), or milled, to remove at least the outer 40% of the original size of the grains. This means that each grain of rice is only 60% or less of its original size.

Junmai Daiginjo-shu and Daiginjo-shu

These are made with rice that has been “polished” (as the industry puts it), or milled, to remove at least the outer 50% of the original size of the grains. This means that each grain of rice is only 50% or less of its original size.

Note the emphasis on the point that the numbers expressed for each grade are minimums. Very often the rice is polished much, much more than the minimum requirement. For example, it is quite common to find daiginjo that is made with rice polishedto 35%, so that a full 65% of the outside of each grain has been milled away before brewing. That means they grind away almost two thirds of their raw materials before beginning to brew. (To see how they do this, and the machines they use, go here.)

Note they do not throw away the powder that is ground away, but rather sell it to makers of traditional confectionaries and crackers, and some of it goes to animal feed. So none is wasted, but it is not used in the brewing process.

What is this all about? Why mill the rice so much?

imada yamadanishiki 70 / 35

In proper sake rice (which is different from normal table rice), starches – which is what eventually ferments – are
concentrated in the center of the grains of rice. Surrounding this, closer to the surface of the rice grains, are found fats and proteins and things that adversely affect fermentation and in general lead to off-flavors, strange and generally unwanted components to the profile.

By milling the rice further and further, more and more of these unwanted fats, protiens, and nasties can be ground away before fermentation begins. This leads to cleaner, more elegant and more refined sake. It also allows more lively aromatics to come about.

So, in general, the more you polish the rice, the higher the grade of sake. I emphasize in general because there are exceptions based on style, personal preference, and a plethora of other factors. It is possible to take this rice milling thing too far, and grind away all distinction and uniqueness as well.

Rice milling – Seimaibuai

Premium sake is brewed with special rice in which the starch component (the shinpaku or “white heart”) is concentrated at the center of the grain, with proteins, fats, and amino acids located toward the outside. For more on special sake rice, please click here. With increased milling, one can remove more of the fats, proteins, and amino acids that lead to unwanted flavors and aromas in the brewing process. Ginjo-shu (premium sake) has at least 40% or more milled away. Daiginjo (super premium sake) has at least 50% or more milled away.

Milling none

Yamada Nishiki Rice
A top-grade sake rice
Unmilled

milling 45 ground away

45% Milled Away
Seimaibuai = 55%
Ginjo Grade

milling 55 ground away

55% Milled Away
Seimaibuai = 45%
Daiginjo Grade

There is no need to go to the top to enjoy good sake

Tokkuri guinomi daimonThere is plenty of immensely enjoyable sake not in the top of the top classifications. In fact, sometimes such sake has more presence, uniqueness, and appeal than super dooper hoity toity high priced daiginjo. Well, sometimes, anyway. Top of PageSake is almost always fairly priced.

You generally get what you pay for with sake. Up to a reasonable limit, if you pay 25 % more for sake B then sake A, you can expect about a 25% increase in quality and enjoyment (assuming that the particular “quality” increase in that particular sake is what you are looking for and prefer!). There are exceptions: there is some sake that is a bit pricey due to its lofty reputation. There are also a few tremendous bargains out there. But for most sake, those not extremely expensive or extremely cheap, you will see an increase in quality that for the most part parallells the increase in price.Note, speculation by the market and the opinion of “experts and critics” does not affect at all the market price of sake in Japan. Which is nice.

The “-shu” suffix, by the way, simply means “sake,” and is often dropped when discussing sake. Hence, Junmai-shu is sometimes called simply Junmai, Honjozo-shu is very often called Honjozo. Similarly, people speak of ginjo, junmai-ginjo, daiginjo and junmai daginjo.


SAKE CONFIDENTAL 

Interested in learning more about sake?

Check out my book “Sake Confidential” on Amazon.

Sake Confidential is the perfect FAQ for beginners, experts, and sommeliers.

Indexed for easy reference with suggested brands and label photos. Includes:

  • Sake Secrets: junmai vs. non-junmai, namazake, aging, dry vs. sweet, ginjo, warm vs. chilled, nigori, water, yeast, rice, regionality
  • How the Industry Really Works: pricing, contests, distribution, glassware, milling, food pairing
  • The Brewer’s Art Revealed: koji-making, brewers’ guilds, grading

 


SAKE INDUSTRY NEWS

If you are interested in staying up to date with what is happening within the Sake Industry and also information on more advanced Sake topics then Sake Industry News is just for you!

Sake Industry News is a paid subscription newsletter that is sent on the first and 15th of each month. Get news from the sake industry in Japan – including trends, business news, changes and developments, and technical information on sake types and production methods that are well beyond the basics – sent right to your inbox. Subscribe here today! 

Each issue will consist of four or five short stories culled from public news sources about the sake industry in Japan, as well as one or more slightly longer stories and observations by myself on trends, new developments, or changes within the sake industry in Japan.

 

Unfiltered Sake vs. Unfiltered Sake

Nigori sake in glass

Nigori sake in glass

Amidst the veritable cornucopia of sake available today, a handful of them are labeled “unfiltered.” A small handful, admittedly, but the number of sake with this term on the bottle seems to be growing.

Amongst sake labeled as “unfiltered” in English, some are white and cloudy. This is easy to figure out; it is cloudy because they did not filter it. But other times we see unfiltered and it is totally clear. What gives?

The key to understanding this is to realize that there are two “filtrations,” but they are called different things in Japanese, but the best English translation for both is filtration.

Let us look at the cloudy stuff first. It seems obvious that it has not been filtered. Cloudy sake like this is nigori-zake, as many readers are aware. Nigori means cloudy, and nigori sake is sake that has in fact been filtered, but coarsely so.

When sake is made, the rice dissolves in the same tank in which the yeast converts the sugars (that are slowly trickled into the mash as the starch in the rice is converted) into alcohol and carbon dioxide. So when the 20 to 35 day fermentation is finished, the result is still full of undissolved rice solids. This is filtered out to yield clear sake.

When this filtration is done with a coarser mesh, i.e. one with bigger holes than normal, some (but not all!) of the rice solids are let through. This is nigori-zake. Note the term nigori can apply to any grade (although it is not commonly seen for higher grades), and while nigori is enjoyable, it is not nearly as refined as regular sake.

So, even though it is often called unfiltered, it is in fact coarsely filtered. (To be legally called sake, the fermenting mash must pass through a mesh of some sort.)

However, the word in Japanese for this step, shibori or jousou, does not mean filter, but rather means to squeeze or press, as that is what actually happens: the fermenting mash is pressed or squeezed through a mesh. Yes, the rice sediment is filtered out at this stage. But that is not how it is referred to in Japanese. And since there is another filtration later, often this step is called “ pressing” in English.

So one meaning of unfiltered is nigori, or coarsely pressed sake.

Sake’s original color

Charcoal powder purifier

Charcoal powder purifier

Next, after the sake is filtered…er, pressed, it sits for a bit to settle down, and at some point soon thereafter the brewer will dump a small amount of active charcoal powder into the just-made sake. This settles down to the bottom, pulling with it rougher flavors and elements that give sake its original and naturally beautiful lime-green-amber color. The sake is then passed through a series of paper filters to remove the remainder of the charcoal and the roughness it takes with it. This, obviously, is the second filtration, a charcoal filtration, and this step is called roka, which is the equivalent of the word filtration in English.

But some sake is made without this step, in other words, some sake is not charcoal filtered. There are those that feel their sake is clean enough to not need it. Others prefer the original goldenrod hue of sake and choose to retain it. Some sake is made so as to retain that mineral touch that can be present if charcoal filtering is eschewed. And some like to make sake (or market it) as close to its natural state as possible.

Reasons aside, if a brewer chooses to let everyone know the sake is unfiltered, the term muroka is used, indicating that the charcoal filtration step was skipped. This can mean a slightly more rambunctious flavor, but that is not a given! The difference may be in fact quite subtle, or even totally unnoticeable to most people.

Note, neither type is unequivocally better than the other. Charcoal filtering in the right measure is a good thing, but muroka has its appeal as well. And the differences are not that clear-cut in any event. That’s for sure.

Also, remember there is a lot of vagueness here. Sake can be filtered by solid state ceramic filters too, using no charcoal. But the term muroka is not legally defined, so some use it to mean no charcoal filtration even though a mechanical filter may have been used. Or not. It’s vague. It’s sake. We have to deal with that.

But to sum up and simplify, if the word “unfiltered” is on the label and it is white, it’s nigori. If the word “unfiltered” is on the label and it is clear, it is muroka. Chalk it up to linguistic idiosyncrasies, and enjoy your unfiltered sake.


SAKE CONFIDENTAL 

Interested in learning more about sake?

Check out my book “Sake Confidential” on Amazon.

Sake Confidential is the perfect FAQ for beginners, experts, and sommeliers.

Indexed for easy reference with suggested brands and label photos. Includes:

  • Sake Secrets: junmai vs. non-junmai, namazake, aging, dry vs. sweet, ginjo, warm vs. chilled, nigori, water, yeast, rice, regionality
  • How the Industry Really Works: pricing, contests, distribution, glassware, milling, food pairing
  • The Brewer’s Art Revealed: koji-making, brewers’ guilds, grading

 


SAKE INDUSTRY NEWS

If you are interested in staying up to date with what is happening within the Sake Industry and also information on more advanced Sake topics then Sake Industry News is just for you!

Sake Industry News is a paid subscription newsletter that is sent on the first and 15th of each month. Get news from the sake industry in Japan – including trends, business news, changes and developments, and technical information on sake types and production methods that are well beyond the basics – sent right to your inbox. Subscribe here today! 

Each issue will consist of four or five short stories culled from public news sources about the sake industry in Japan, as well as one or more slightly longer stories and observations by myself on trends, new developments, or changes within the sake industry in Japan.

 

Terroir in Sake – Does it exist?

I have trouble finding one definition of terroir that more than a couple of people agree with.Traditional Sakagura (sake brewery) After scouring the bodies of wine knowledge out there (read: I poked around the internet for an hour) the ones that rang the most true were along the lines of “characteristics that are region or even parcel-of-land specific” or even more simply a “sense of somewhere,” or something that ties a wine to a very specific place. In other words, for any one or more of a myriad of reasons, the wine could not be exactly reproduced anywhere else.

The question of whether or not sake has terroir comes up with increasing frequency, with the main – and very valid – argument that it might not have true terroir stemming from the fact that the rice used in brewing can be brought in from regions far from the kura (brewery) itself. Heck, brewers from around the country brag about using Yamada Nishiki from Hyogo, even when they are half a country away from Hyogo. That’s a huge chink in the armor of any terroir or regionality argument.

There are those that say it is in the water. The argument goes that since the water cannot be moved, and since the water is tied to a parcel of land, then it is the water itself that defines the terroir of sake. And since sake is like 80 percent water in the end, the leverage is huge.

But, in fact, water can indeed be brought in from a distance, and while not commonly done, it does happen. Furthermore, any parcel of land can have half a dozen water sources and types, depending on where and how deep the well is dug. Also, the water in any one place is really sourced in mountains far away, and it drifts underground for leagues upon leagues before arriving at one spot, and as such there are many places along the way with very similar sources of water. So while the water-is-sake’s-terroir argument is not totally unfounded, I cannot buy into it fully myself.

So, then, does sake have that sense of can-only-be-done-here and cannot-be-reproduced-anywhere known as terroir? And if so, from whence does it hail?

I espouse that it does, and that said terroir is found in none other than the kura itself.

Yes, the kura is but a brewery building. At least on the surface. But integrated into that are the design elements of the toji, or the kuramoto (the brewery owner or business decision maker), and perhaps not even that of the present generation. But the layout/design they have, be it new or 400 years old, is what it is, and is unique in countless ways.

We need to expound on that a bit further, but also bear in mind that in my larger definition of kura here, I include the intention and personality of the toji and his or her supporting cast. Just how that crew works within the physical environment that constitutes the kura will be unique to that time and place, and be impossible to reproduce anywhere else.

We also need to include the nature of the kuramoto as well. Is the owner one who is willing to buy the best rice, in advance, and pay top yen to secure it, or instead string out the toji by pulling strings in the background to get decent rice at better prices. Both are valid approaches! And both will contribute to aspects of a kura that cannot be reproduced elsewhere, especially after having been factored into the overall permutation of things happening at a particular kura.

Also, when the kuramoto and the toji are the same person, or at least the same family, then one dynamic is eliminated. Or another becomes evident – depending on your viewpoint. (Half-full or half-empty?) As this is now the case for about a fourth of the industry, it is indeed a significant aspect of any conversation on sake terroir.

But back to the physical structure of the kura itself. To me, this is where a mark of indelible character is impressed upon what is brewed here. There are countless little things, the aggregate of which makes a given sake simply impossible to recreate anywhere else.

The task of trying to convey this is so daunting I shudder at the thought of where to begin. Let us start with size.

How big is the kura; what is its capacity? How many tanks? How big are the batches? Are they same size for cheap sake as they are for daiginjo? Do they have enough to start a tank a day, or just three a week, or perhaps only one a week? Do they have enough people to watch all of that closely or do they automate? What about temperature control? Is the kura in a cold or warm region? How thick are the walls?

Do they mill in house? How do they wash and soak their rice? How big is the koji room, f’gad’s sake? This is huge. Just how much they can make at one time, and what the attention to detail can be are massively leveraging.

Even little things like how far the koji room is from where they steam their rice is an issue. What about the foyer outside the koji room where they cool it down before adding it to a batch? How does that affect cooling and drying out the koji? Big, big, big in terms of effects on the sake!

What about the yeast starter room? Big or small, refrigerated or not, tightly sealed off orModern Tanks more open? And what of the layout of the fermentation tanks? How do they press the sake? Do they have more than one apparatus that lets the sake tell them when to press it, or do they need to coax the sake to be ready so as to keep on a schedule? How do they do that pressing – with a new machine or an older, traditional one?

Note, none of these factors is unequivocally better than another. All are just different. All contribute to the final terroir of the sake made there.

How do they pasteurize as a rule? How do they store? Distance, pipes, pumps, filters – all of these things have their say in the end.

Then there is the unexplainable. Some yeasts work better in some kura than others. No one knows why. It just is that way. One tank might make consistently better sake than another, by virtue of what no one really knows.

It’s in the kura

Remember that all this is before we even throw in the sake-making techniques themselves, or the skill and intention of the toji (brew master). What rice do they use, what yeast, how far do they mill, how good is their sanitation? What technical methods do they use for the yeast starter – normal, yamahai, kimoto or some variation unique to them?

This list could go on, and for a long time. But where it all leads is to the fact that in any one given kura, there will be a unique set of countless conditions that ensure that the sake made there cannot be reproduced anywhere else.
And therein lies the terroir of sake.

So yes, sake does indeed have terroir – a sense of place, a set of circumstances that ties a given sake to a single place, and it essentially cannot be reproduced anywhere else. And it’s in the kura.

Check out my latest book Sake Confidential: http://www.cbsdsmarttools.com/sites/m98110/index.html

 

 

Sandan-shikomi: What’s the Point?

The sake-brewing process is fairly idiosyncratic. No other alcoholic beverage in the world isYeast Starter Fermenting Away brewed quite like sake is. Perhaps the most obvious difference is that the ingredients are added in stages. The first two to four weeks see the creation of a yeast starter, to secure a high population of yeast cells, and after that, the rest of the ingredients are added, again, in stages.

How many stages? Three. Hence the term sandan-shikomi, or “adding ingredients in three stages.”

Once the yeast starter is ready, more rice, water and koji (the moldy rice within which enzymes develop that chop the starch in the rice into sugar for the yeast) are added to that small tank, which was itself created with the same three ingredients.

But it is not all added at once. After the starter has been prepared, enough rice, water andModern Tanks koji are added to roughly double the size of the batch. After letting that sit two days, the size of the batch is again doubled. And, one day later, more ingredients are added to again double the existing size of the batch. So in the end, the yeast starter is about an eighth or so of the final size of the batch. (This will of course vary a bit from place to place.)

What’s the point? Why not just dump it in there all at once, and be done with it? It comes down to strength and vulnerability of the yeast.

Bear in mind that there are only so many yeast cells in the yeast starter. Sure, it is like 200 million per cc of liquid, but apparently that is not enough. If that mixture is thinned out too much, then the yeast becomes vulnerable to all kinds of things, from wild yeasts in the environment that will not lead to tasty sake, to other micro-organisms that can adversely affect or stop fermentation of the mash.

So one reason to add the rice, water and koji more slowly is to let the yeast catch up. It will reproduce at its own pace and thereby keep its strength in numbers and its ability to fend off less desirable micro-organisms. It helps reduce the vulnerability of the yeast.

Another way to look at it is in terms of strength. If all the rice, water and koji were add at once the yeast would either be overwhelmed by the sugar and eventually peter out before completing its job. Slowly adding it all lets the yeast handle it better. It is a bit like starting a fire: if you take a match and try to start a big log, your chances of success are not nearly as high as if you use some proper kindling, like leaves and small sticks.

Of course, these days, we can indeed light a big log on fire; all we need is something like a blowtorch or a good dose of chemicals. And, the equivalent of a yeast blowtorch exists in the sake world as well! It’s called kobo-jikomi, or yeast infusion (translation mine).

A freshly started "moto" yeast starterAnd it is what it sounds like: no yeast starter is used; instead, a comparatively huge amount of pure yeast is added to the batch right away, allowing it to ferment a full tank right off the bat. In truth, very little sake is made this way, and it is usually cheaper sake made in huge batches. It is a perfectly valid way to make sake, and the resulting sake is often quite good.

But it is almost never seen in smaller batches, smaller breweries, or premium sake.

So, the hassle-laden sandan-shikomi process of adding the ingredients in three stages is the traditional way to make sake, and one that is in fact unique to sake, and is done to help keep the yeast safe and active. That’s the point.

Check out my new book, Sake Confidential
http://www.cbsdsmarttools.com/sites/m98110/index.html

 

Announcing the Sake Professional Course in Chicago, August 12 – 14, 2014

Sake Professional Course
To be held at Sunda Restaurant in Chicago Illinois, August 12 – 14, 2014

From Tuesday, August 12 through Thursday, August 14, 2014, I will hold the 15th JG_SPC-3stateside version of the Sake Professional Course at Sunda restaurant in downtown Chicago. The content of this intensive sake course will be identical to that of the Sake Professional Course held each January in Japan, with the exception of visiting sake breweries. The course is recognized by the Sake Education Council, and those that complete it will be qualified to take the exam for Certified Sake Specialist, which will be offered on the evening of the last day of the course.

JG_SPC-11The course is geared toward industry professionals wishing to expand their horizons in a thorough manner into the world of sake, and will therefore be somewhat technical in nature, and admittedly somewhat intense. It is likely more than the average consumer needs! But the course is open to anyone with an interest and sake and will certainly be enjoyable. The course lectures and tasting will begin with the utter basics, and will thoroughly progress through and cover everything related to sake. There will be an emphasis on empirical experience, with plenty of exposure to a wide range of sake in the tasting sessions throughout the three days. Each of the three days will provide the environment for a focused, intense and concerted training period.

SPC JGThe goal of this course is that “no sake stone remains left unturned,” and my motto is “exceed expectations for the course.” Every conceivable sake-related topic will be covered, and each lecture will be complimented and augmented by a relevant tasting session. Participants will not simply hear about differences based on rice types or yeast types, they will taste and smell them. Students will not only absorb technical data about yamahai, kimoto, nama genshu, aged sake and regionality, they will absorb the pertinent flavors and aromas within the related sake as well. Participants will taste over 80 sake within five focused tasting exercises across the three days.

Wooden Koshiki on its sideLike its counterpart held in Japan each winter, it will be quite simply the most thorough and comprehensive English-language sake education in existence. Participants will also be presented with a certificate of completion at the end of the course.

Also, as mentioned above, an exam is given at the end of the course for those that choose to seek certification. Those that pass receive a   “Level I Sake Specialist” certification from the non-profit organization The Sake Education Council.

Sugidama - half brownThe cost for the three-day class, including all materials and sake for tasting, is US$850. Participation is limited and reservations can be made now to secure a seat, with payment due by July 15, 2014. You can read Testimonials from past participants here. (Should that link not work, which is a possibility for technical reasons, I can send you the same by email.) For reservations or further inquiries, please send an email to sakeguy@gol.com. 

 “No Sake Stone Remains Left Unturned!”

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Syllabus and Daily Schedule

Day I
9:00 – 12:30 Welcome, Orientation, Sake Basics, Sake Types, Terms found on Sake Labels
Tasting I: typical representatives of various grades, milling rates
1:00 – 3:00 Sake Production
3:00 – 4:30  Rice Types, Yeast Types, Water, Koji
Tasting II: Rice types, Yeast types

JG_SPC-23Day II
9:00 to 12:00 Sake Chemistry: nihonshu-do, acidity, amino acidity.
Yamahai and Kimoto
Tasting III: Yamahai and Kimoto.
12:00 to 1:00 Lunch
1:00 – 5:00 All things nama-zake. Pressing methods. Aging and maturity. Non-standard sake types like nigori, low alcohol sake, sparkling sake, red sake, taruzake etc. Sake competitions. Vessels, temperature, toji guilds.
Tasting IV: Nama-zake, aged sake, various non-standard sake. The same sake in various vessels. Sake suited for warming. Competition sake.

Day III 
9:00 – 12:00 Sake regionality, sake and food, sake competitions, history, the state of the industry.
Tasting V: Sake Regionality
12:00- 1:00 Lunch
1:00 – 3:00 Break
3:00 – 4:30 Exam

Koshiki-taoshi and Kaizo – the light at the end of the sake-brewing tunnel

It was well into the evening when the phone rang, but my caller i.d. told me the call was Mixing Moromi - soon to be done for the yearfrom a brewer in Akita Prefecture. Since he fits into both the friend and business associate categories, I picked it up.

“Du-hu-hu-hu-de. I’m pretty ha-a-a-a-mmered.” Not your typical call from the owner of a prestigious sake brewery, to say the least.

And to what do I owe this honor? Surely there must be a reason you have called at this hour and in this, er, state?

Indeed, indeed. Today was ‘kaizo.’ It’s over. We are done for the season.

That’s it. Kaput! All we have to do is clean up and we are outta here until the fall.” He seemed to momentarily forget he lived in the old house attached to the kura. “And, thanks to your support,” he continued with typical Japanese uber-humility, “we managed to finish the brewing season this year without any major difficulties.” I was fairly sure I myself had nothing to do with that, and of course politely deferred.

“Wow,” I responded. “That’s great. Congratulations. Another season down! I am sure you are relieved, and I am just as sure your sake will be kick-ass again this year.”

Pasteurizer - soon this is all that will remain to be doneThe true reason behind their call, driven though it was by the unbridled exuberance of the “kaizou” party, was to thank me for a positive assessment of a new sake they came out with that I was fortunate enough to have been able to taste several days earlier. I had recently ran into the two of them by coincidence, armed with a bottle, at a sake pub the night before a big Tokyo tasting. Regardless, it was great fun to hear from them, and congratulate them on completing the season.

“Hold on. There is someone here that wants to talk to you.” The cell phone got dropped at least twice and bashed into something made of glass on its way to whomever it was destined. Things like that happen in a room full of happy, buzzed sake brewers. Actually, I knew who it was going to be before I even heard the familiar voice.

“Du-hu-hu-hu-de. I’m pretty hammered too-hu-hu-hu.” It was the relatively young toji (master brewer) at that kura. “We made it through yet another season. And thanks to your support, we finished without a hitch…”

It was fun to hear from them, late though it might have been, and they certainly deserved to celebrate.

As many readers certainly recall, sake brewing runs roughly from the fall until the spring. Just when a kura begins to brew sake and when they finish for the year depends on a number of factors, including of course how much they brew. On top of this, dynamics including the number of brewers, number of tanks, size of the batches, how old or new their equipment is, and how often they fire up a new batch will all combine to determine just when they start and end. But typically it runs from mid-October to mid-April.

As the season draws to a close, there are two significant days that the people in the brewery owners and brewers together will celebrate. One is called “koshiki-taoshi,” the other is “kaizou.”

“Koshiki-taoshi” means “overturning the rice steaming vat.” A koshiki is the large vat in which rice is steamed every morning or so. In days of olde, the koshiki was made of wood (sugi, i.e. cryptomeria) and sat on top of a large iron cauldron of water (called a wagama) that tapers at the top.

Today only a handful of kura use wooden koshiki anymore. The craftsmen to make them are also all but gone. Most are steel these days, and in fact, many are fully automatic. Long ago, when the last vat of rice had been steamed, the koshiki would be turned over onto its side, cleaned thoroughly, and left to dry and be put into storage until next season. This is the term to which koshiki-taoshi refers.

When the last batch of rice has been steamed for the year, the brewers can see the light at the end of the brewing-season’s tunnel, hence the celebratory nature of the day.

Of course, that last day’s vat of rice will then be added to the last tank still fermenting, and after that there is still three weeks or more of waiting for those last few batches to finish fermenting, and then be pressed and sent to mature for a while. So their work is far from done. Koshiki-taoshi means only that there is no more rice to be steamed. Within two days, there will be no more koji to be made, and soon after that it is simply a matter of waiting. They know they are getting close to the end of six months or more of long, hard days.

Often in these modern times, automated koshiki are equipped in such a way that they can Wooden Koshiki on its sidebe turned sideways to make it easier to scoop out the rice. Kinda makes knocking them over a bit anticlimactic. Also, large brewers have continuous rice steamers, large contraptions that steam rice as it moves along on a mesh conveyor belt over steam, and constantly crank it out. So at such places there is no koshiki to knock over. But nonetheless, a ceremony and small party are held to acknowledge the significance of the last steaming of the season.

The next milestone is “kaizo.” “Kaizo” is written with characters that mean “all (has been) made,” and naturally enough indicates the day on which the last tank has been pressed, and therefore all the sake for the year has been brewed. All there is left to do is to sweep up, tidy up, and pack up.

After one or the other – or perhaps even both – of these significant days, the brewers and other employees of a sake brewery will often have a little bash in the kura. The kuramoto (brewery owner) will prepare a nice dinner, there will be warm toasts to each other, and there will be plenty of sake consumed. Also, newly made sake is offered to the gods in thanks for the blessings of the brewing season.

While, from what I have heard, it is more common to have this little party after koshiki-taoshi, obviously the folks at some places (like my friend in the intro) wait until kaizo, when presumably they can sleep late the next day.

Back in the 1960s when several of the larger kura rode continued growth to mammoth-hood, they began to brew all year round, in what is called “shiki-jozo,” or “four-season brewing.” However, as sake consumption has dropped off, especially that of cheap sake, the need for year-round brewing has dropped off, and none of the big brewers are doing this any longer.

But interestingly, there are a handful of smaller brewers that brew basically all Koji-making year, freezing the rice for use in the summer, and brewing at a more manageable, mellow pace. This pace might be starting a batch once or twice a week rather than everey day. Just when these places celebrate koshiki-taoshi is not clear. But I am sure they work it in somewhere!

 

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Be sure to look for my new book, Sake Confidential, due out in June. You can reserve your copy now at Amazon!

In over two-dozen short essays presented in a very informal and conversational tone, “thesake cover truth about sake” is revealed. The truth about junmai types versus non-junmai types, the truth about the impossibly detailed craft of sake brewing, the truth about temperature, premium types, aging, purity, pasteurization and regionality are all touched upon.

How the industry works, its challenges and strengths, what really creates sake flavors and aromas, specs you can safely ignore, and what hype you can safely avoid are all fair game. You’ll learn what goes into sake pricing, and how brewers get their rice. How to choose sake, and how to improve your tasting ability are also part of the fun. Suffice it to say that nowhere else is so much detailed information about the realities of the sake world assembled together into one place.

– See more at: http://sake-world.com/#sthash.5LOAMrBD.dpuf